AS/IS unfolds across three screens, revealing close-up images of skin in soft, visual contact. These intimate surfaces—textured, imperfect, alive—become a landscape of their own, inviting a tactile gaze. The work offers no narrative, only a quiet insistence on presence and perception. By focusing on the body's largest organ, AS/IS suggests that identity resides not only within but on the surface, and that connection may begin with something as simple as the visual caress of skin.