A woman moves hesitantly through a grave-like, abstract space. Her gestures are slow and searching, and the cinematographic shifts disrupt our sense of gravity and direction. The video’s placement in the ground reinforces the sensation of liminality, suggesting death and disorientation while also opening a window on the potential of rebirth. In Between offers no fixed point of reference, only a shifting state of suspension. It is a quiet study in dislocation—where time, space, and identity blur into a fluid sense of becoming.