Projected onto a panoramic, semi-circular screen, In the Flesh places the viewer in an intimate encounter with shifting forms. Two bodies slowly intertwine, creating fluid horizons in the negative space between them—lines that pulse, fold, and ripple like distant landscapes. At once bodily and planetary, the forms evoke coastlines, moonscapes, and oceanic terrains. The work explores the boundaries between flesh and world, proposing that the body serves as the site of an eternal negotiation between cosmic expansiveness and corporeal containment. Through a porous dance of proximity and distance, In the Flesh invites us to ask: where do I end and where does the universe begin?